The General in Slave’s Clothing:
Plutarch’s Depiction of
a Deviant and Liminal Marc Antony
Angela E. Holzmeister (University of Toronto)
In his Life of Antony, Plutarch explores
the flaws and failures of Marc Antony, providing us with a character study
and moralizing tale of the Roman general. He describes Antony’s life, from
his potential as a great military leader to his eventual submission to
Cleopatra and subsequent downfall. What we are given, however, is not a
simple story of a man’s ruin due to a woman, but instead the depiction
of abnormal and morally deficient acts by a man who carries the burden
through history of being defeated by his own hubris, extravagance, and,
most importantly, deviant nature. This paper explores how Plutarch attributes
Antony’s failure to his nature (phusis),
and shows how this abnormality is made apparent by Antony’s predisposition
to cross-dressing, thus transgressing boundaries not only of gender but
initially of class.
Plutarch takes advantage of Antony’s claim of Herculean ancestry to employ
the mythic trope of Hercules and Omphale when depicting the relationship
between Antony and Cleopatra. This myth, commonly used by the Roman elegists,
narrates Hercules’ submission to Omphale, as she forces him to do women’s
work and wear women’s clothing (Propertius 4.9; Ovid, Heroides 9). Brigette Ford Russell notes the emasculating effect
of Plutarch’s comparison of Antony’s relationship to that of Hercules (1998),
but this still leaves unexplored the overriding difference between the hero
and the Roman general. My paper shows that, unlike the forcible role experienced
by Hercules, from which he emerges a stronger hero, Antony willingly cross-dresses
(to the point of fetishism), thereby entering a liminal state between conqueror
and conquered from which he cannot escape. Plutarch uses the myth of Hercules
and Omphale to create a parallel between Antony and Hercules with an ironic
twist. Antony does not emerge heroic, but is forever confined to the abnormal
state of the cross-dressed character.